News Blog

Gallery 72 Explores Gentrification with BlandTown Exhibition

 

Opening on October 10, artist Gregor Turk explores the maligned neighborhood of Blandtown through “Reclaim /Proclaim [Blandtown]”, an exhibition at Gallery 72. Through a combination of sculptural installations, works on paper, and photographs. Turk provides insight into the community’s obscured history, playfully skews the neighborhood’s derided name, and raises a critical eye on the area’s rapid transformation.

In 2003, Turk purchased a house in the neighborhood and repurposed the cinderblock building as his studio. Today, that structure remains as one of the last four original houses still standing in Blandtown. The exhibition focuses on the demise and resettlement of the residential core of the neighborhood, exploring the shapes of both the original and newly-constructed building footprints. Turk produced several series of artwork in response. Much of this work was fabricated with reclaimed building materials from the new residential development surrounding his studio.

Through wit, lamentation and artistic probing, this one-man chamber of commerce provides options to proclaim Blandtown’s existence. Turk presents an exhibition that is part history lesson, part manifesto, and part civic rousing, with interviews of former residents providing historical context. Dubious propagandistic posters manipulated images of local signage, and unofficial merchandise rounds out the exhibit.

As the title indicates, Turk’s exhibition serves to raise awareness of the Atlanta neighborhood with its often-disparaged name. Better known as part of the Westside, Midtown West, and/or West Midtown. The area has a bit of an identity complex, further complicated by developers applying additional monikers to rebrand sections of the neighborhood (Huff Heights, Huff Trail, West Town, etc.) all while avoiding incorporating the proper name, Blandtown, which was named after freed slave Felix Bland.

Originally an African-American community comprised of two to three hundred homes, the neighborhood was strategically forced into decline through rezoning to an industrial district in the mid-twentieth century. Turk presents Blandtown as a case study for current development issues relating to the greater city: legacy housing, gentrification, and conflicts resulting from the proximity of residential and industrial land use.

The exhibition will open October 10, 2019 and run through November 22 at Gallery 72, a municipally owned art gallery located in the heart of downtown Atlanta at 72 Marietta Street. Gallery hours are Monday through Friday from 10 am to 5 pm. For more information, please contact the gallery curator, Kevin Sipp, for more information at 404-546-3220 or [email protected].

 

About the Gregor Turk:

Known for his public art installations, sculpture, photography, and mixed-media constructions, Gregor Turk often incorporates mapping imagery, signage, and cultural markings into his artwork. He has permanent public art installations at the Atlanta and Jacksonville airports as well as at the Metropolitan Library in Atlanta. His work is in the JPMorgan Chase Art Collection, High Museum, MOCA-GA, and numerous other public and private collections. Turk grew up in Atlanta, received his B.A. from Rhodes College in Memphis and his M.F.A. from Boston University.  Between degrees he served as a Peace Corps Volunteer in Liberia.

Previous temporary projects include a set of five inwardly facing billboards emblazoned with tightly cropped images of General Sherman’s eyes (Atlanta BeltLine, 2014); a pop-up store stocked with over a hundred rubber wrapped objects including furniture and globes (Ponce City Market, 2016); a set of 17 convex security mirrors absurdly placed along the GA/NC border adjacent to a hiking path (Hambidge Center, 2017). Additional information and images at: www.gregorturk.com

For more information contact Gregor Turk: [email protected]

Gallery 72’s Opens New Exhibition Featuring the Work of Artist Michael Scoffield

Gallery 72’s Opens New Exhibition Featuring the Work of Artist Michael Scoffield

“Deep Crevice with Anomalies” by Michael Scoffield – Acrylic and texture on canvas – 60”x 48” – 2019

The Mayor’s Office of Cultural Affairs is excited to host artist Michael Scoffield’s exhibition, “When Shallow is Deep and Other Musings”, Thursday August 8, 2019.

Scoffield’s artwork takes a critical view of social, political, and cultural issues. Often referencing professional sports, his work explores the varying relationships between the Black community, sports media, and its industry. Scoffield art reproduces familiar visual signs such as objects, drawings and paintings, while using a variety of materials and processes in each project.

Although there may not always be material similarities between the different projects, the works are linked by recurring formal concerns and through subject matter. Scoffield’s subject matter is determined by the materials and forms of the work. Multiple works are often produced consisting of different media, centered around specific themes and meanings.

Please join the City of Atlanta in celebrating this unique and talented artist. Gallery hours are Monday through Friday from 10 am to 5 pm. For more information, please contact the gallery curator, Kevin Sipp, for more information at 404-546-3220 or [email protected].

About the Artist

Michael Scoffield is a native of Tennessee, where he attended Fisk University and received a Bachelor’s of Arts in Fine Art. While at Fisk, he studied under such noted artists as Aaron Douglas, Martin Puryear, and David Driskell. Later, he attended Georgia State University where he received a Masters in Fine Art.

Gallery 72 Hosts Artist Talks with World Renown Sculptor Basil Watson

Gallery 72 Hosts Artist Talks with World Renown Sculptor Basil Watson

“Sacred Ground” Artist Talk
Thursday, July 18, 2019 at 12 and 7 pm

Gallery 72, 72 Marietta St. NW, Atlanta, GA

On July 18, 2019, join us at Gallery 72 as we host an artist talk with revered sculptor Basil Watson. Watson will give two artist talks for his exhibition “Sacred Ground” at Gallery  72.
The first talk will be an opportunity for City of Atlanta employees to meet the artist and discuss the inspiration behind his work and will take place at 12 pm. The second talk will be for the general public and will start at 7 pm. Both talks will be hosted at Gallery 72.
Please join us in this opportunity to hear this world renown sculptor speak about his work. For more information, please contact the gallery curator, Kevin Sipp, for more information at 404-546-3220 or [email protected].

Gallery 72 Unveils “SACRED GROUND” Exhibition From Artist Basil Watson

Gallery 72 Unveils “SACRED GROUND” Exhibition From Artist Basil Watson

 

The Mayor’s Office of Cultural Affairs is proud to host Basil Watson’s exhibition “SACRED GROUND”, opening on Thursday, June 13, 2019. The exhibition will be the artist’s meditation on the transcendent,  present and eternal power, beauty and sacredness of the female body.

On Thursday, June 20, join us for a public opening reception from 6 pm to 9 pm at Gallery 72.

For more than 40 years, artist and sculptor Basil Watson has been translating life’s most important attributes – positive emotions and attitudes, the spirit of freedom and spontaneity, strength, beauty, energy and vigor – into finely crafted works of art.

Born in Kingston, Jamaica, the son of internationally renowned painter Barrington Watson, it was a natural progression for Watson to study at the Jamaica School of Art. He then went on to establish a successful career as Jamaica’s leading sculptor. The most notable of his achievements include having monumental works on the campuses of the three primary universities in the island, as well as signature works at the two major Stadia.

In 2016, the Government of Jamaica awarded Basil the “Order of Distinction” (Commander) in recognition of his contributions in the field of Art.

Emigrating to the United States in 2002, Watson established his home and studio in Lawrenceville, GA.  Having continued the steep climb to international recognition, he has completed major works in China, Guatemala, and in various States within the US.

Please join the City of Atlanta in celebrating this unique and talented artist. Gallery hours are Monday through Friday from 10 am to 5 pm. For more information, please contact the gallery curator, Kevin Sipp, for more information at 404-546-3220 or [email protected].

 

“SACRED GROUND”

Thursday, June 13  – Wednesday, July 31, 2019

Gallery 72

72 Marietta St. NW, Atlanta GA.. 30303

Opening Reception: Thursday, June 20, at Gallery 72, from 6 pm to 9 pm.

Atlanta Jazz Festival and Gallery 72 Hosts Exhibition Celebrating Jazz and African Traditions

Atlanta Jazz Festival and Gallery 72 Hosts Exhibition Celebrating Jazz and African Traditions

African Jazz #10 ©1990 Michael A. Cummings Artist Collection, 1990 72×108 cotton blends, cotton fabric

 

The Mayor’s Office of Cultural Affairs is pleased to present the exhibition of “The African Jazz Quilts of Michael A. Cummings” at Gallery 72 to celebrate Jazz Appreciation MonthThe exhibition opens to the public on Thursday, April 18 and runs until Thursday, June 6, 2019. An opening reception for the installation will be hosted at Gallery 72 on Thursday, April 18, starting at 6 p.m.

The exhibition coincides with 42nd Annual Atlanta Jazz Festival hosted in Piedmont Park, Memorial Day Weekend, May 25 and 26.

Michael A. Cummings, a native of Los Angeles, is a world-renowned quilt maker. Cummings uses reclaimed fabric to create new art and narratives that evoke engagement from its viewers. He has had solo exhibitions with Bates College in Maine, Hallmark Cards, New York City’s Cinque Gallery and Studio Museum in Harlem, among others.

Concerning the quilts of Mr. Cummings, Michael James, Professor of Textiles, Merchandising and Fashion Design at the University of Nebraska at Lincoln says “Michael Cummings has been working with the quilt form since the early 1980s. Cummings has successfully synthesized aesthetic qualities found in folk art, in African and African American art, in music (specifically, jazz), and in diverse textile and non-textile narrative traditions, to arrive at a unique and sincere expression… He’s committed to telling the stories of African-Americans across a broad historical, social, cultural, philosophical, and mythological spectrum”.

As observed and stated by author and curator Martha Sielman ‘the energy of Michael A. Cummings central applique images threatens to escape the boundaries set by his traditional pieced borders, combining elements from his African American heritage, Yoruba Mythology, and formal art training his narratives focus on subjects such as Jazz musicians, historical heroes, and the Yoruba water goddess. Cummings has produced a body of work filled with energy edginess and excitement.“

Please join the City of Atlanta in celebrating this unique and talented artist. Gallery hours are Monday through Friday from 10 am to 5 pm. For more information, please contact the gallery curator, Kevin Sipp, for more information at 404-546-3220 or [email protected].

 

The Atlanta Jazz Festival Presents: The African Jazz Quilts of Michael A. Cummings

Thursday, April 18 – Thursday, June 6, 2019

Gallery 72, 72 Marietta St. NW, Atlanta GA.. 30303

Opening Reception: Thursday, April 18th 2019 at Gallery 72, from 6 pm to 9 pm.

 

About Gallery 72

Gallery 72 at 2 City Plaza, is a municipal gallery operated by the Mayor’s Office of Cultural Affairs dedicated to presenting stimulating and thought provoking contemporary art and programs that focus on advancing Atlanta’s arts offering. Gallery 72 is located at 72 Marietta Street NW Atlanta Ga. 30303 and is open Monday through Friday from 10:00 am until 5:00 pm.

NEARBY PARKING FOR GALLERY 72:
104 Marietta Street Parking Garage (176 feet NW), 79 Marietta Street Parking Garage (245 feet NE) Centennial Tower Parking Garage (332 feet NE), Paid street parking is available near the gallery.

NEARBY MARTA RAIL STATIONS: Take the Gold line to Five Points Station. Exit the station on the Forsyth street side and turn right, walk northeast on Forsyth Street, and turn left on Marietta Street. Walk one block to Fairlie Street. After crossing Fairlie Street the gallery will be on the left.

 

Gallery 72 Exhibits New Immersive Installation from Local Artists

Gallery 72 Exhibits New Immersive Installation from Local Artists

“Away from the Noise/Welcome to Atlanta” runs from March 1 – April 12 at Gallery 72

The City of Atlanta’s Mayor’s Office of Cultural Affairs is pleased to present “Away from the Noise/Welcome to Atlanta”, a collaborative installation from multimedia artists Carolyn Carr and Michael Gibson at Gallery 72.

In this dual artistic exhibition, Carr and Gibson explore the complicated nature of Atlanta and their shared southern heritage.

The artists share the fruits of their exploration through an immersive installation, which seeks to embed gallery visitors into a welcoming space while delivering a transformative and participatory public art experience.

“Away from the Noise/Welcome to Atlanta”, runs from March 1 – April 12 at Gallery 72 on 72 Marietta St. NW.

An opening reception will be held Thursday, March 14, starting at 6 p.m.

The exhibition is free and open to the public.

Contact Gallery Supervisor, Kevin Sipp, for more information at 404-546-3220 or [email protected]

Gallery 72’s Curator Discusses City’s Art on Loan Program

Gallery 72’s Curator Discusses City’s Art on Loan Program

With more than 400 pieces in the City’s Collection, art is infused into the DNA of Atlanta.

Kevin Sipp, Gallery 72 Project Supervisor and Co-Public Art Manager for the “Art On Loan” Program, recently shared some of the artistic gems lining the walls and hallways of the City of Atlanta’s various offices.

OCA Presents Joint Art Exhibitions at Gallery 72

OCA Presents Joint Art Exhibitions at Gallery 72

Artwork by Yanique Norman (Left) and Namwon Choi (Right)

 

Gallery 72 is proud to present the dual exhibitions of artists Yanique Norman and Namwon Choi from November 29 to January 31, 2019.

Housed in the gallery’s South Gallery, Yanique Norman’s exhibition, “Lesson on How to be a More Interesting Woman”, is a visual exploration of Safiya Sinclair’s poems “Notes on the State of Virginia, I-III”, where Sinclair’s surveys Thomas Jefferson’s denigration of the black woman.

Norman follows a similar vein by uniting drawings and film to create a radical re-imagining of how one can further construct a more complex and nuanced internal black narrative.

Fellow artist Namwon Choi’s exhibition “In-Betweenness”, on display in the North Gallery, investigates the concept of “migrancy” through its movement in both space and time. 

According to Choi, “Since [relocating], the idea of transitional states and the notion of ‘in-betweenness,’ have led me to [become] interested in the network of spaces…”

Throughout both of these works, the two artists provide dynamic and thought-provoking artistic voices that explore the importance of an internal narrative and its role in constructing a resilient self-identity in a changing world.

Gallery 72 encourages you to stop by the gallery and experience the engaging narratives Norman and Choi are sharing in their respective exhibitions.

 

Gallery 72 Hosts Artist Talk with Street Photographer Ken West

Gallery 72 Hosts Artist Talk with Street Photographer Ken West

Image Courtesy of Ken West

The Beauty of Everyday Thangs Artist Talk
Thursday, Nov. 15 at 7 pm

Gallery 72, 72 Marietta St. NW, Atlanta, GA

About the Artist Talk:
Images are often time capsules to days long forgotten, but the keepers of memories and moments in history we oftentimes forget to appreciate. Ken West’s “The Beauty of Everyday Thangs” is an exhibition his documentary photographs that seek to illustrate the natural beauty and power of these everyday moments. West’s series of images capture life in its purest form, unstaged and free of social influences.

During his talk, West will discuss his artistic influences, the creative process behind his work and the journey that helped produce this exhibition.

To learn more about Ken West and his work, visit www.kenjajawest.com.

Gallery 72 Presents Dual Exhibits from Photographer Ken West

Gallery 72 Presents Dual Exhibits from Photographer Ken West

 

Ken West  

“The Beauty of Everyday Thangs” 

 

A-side:  October 18 – November 16, 2018, at Gallery 72  

B-side:  October 18 – December 31, 2018, at The Mayor’s Gallery @ City Hall

Opening Reception – Thursday, Oct. 25, 6 p.m. at Gallery 72  

 

The Mayor’s Office of Cultural Affairs is pleased to announce a dual exhibition by photographer Ken West at Gallery 72 and The Mayor’s Gallery @ City Hall.

“The Beauty of Everyday Thangs” is an exhibition of documentary photos that illustrate the natural beauty and power of normalcy.

This series of images seeks to display a sliver of the emotional truth and power of our world as it is. Shot almost entirely using film cameras and captured over the past decade, these images speak to the values of simplicity and beauty that exist in all of us.

The photos cast aside the stereotypes associated with marginalized members of our society. Instead, the exhibit encourages audiences to appreciate the intricate realities of who we are and how we choose to live. Each image is the product of West’s conscious awareness of the importance and beauty of Now.

This exhibition will be exhibited in two City’s galleries. Part one will display at Gallery 72 on 72 Marietta St. NW with an opening reception on Thursday, Oct. 25, 6 p.m., at Gallery 72.

Part two of the exhibition will be at The Mayor’s Gallery @ City Hall located on the second floor of Atlanta City Hall Annex in the Mayor’s Executive Suite Foyer. Both exhibits are free and open to the public.

Please contact Gallery Supervisor, Kevin Sipp, for more information at 404-546-3220 or [email protected]. 

Gallery 72 Hosts Panel Discussion with Renowned Artist Deanna Sirlin

Gallery 72 Hosts Panel Discussion with Renowned Artist Deanna Sirlin

Respected artist will discuss her latest exhibit on Thursday, Sept. 13 at 7 p.m.

Image courtesy of ArtsATL.com

On Color: A Panel Discussion
Thursday, Sept. 13 at 7 p.m.
Gallery 72, 72 Marietta St NW, Atlanta, GA
About the Panel Discussion:
The language and meaning of colors are central to the work of artists, scientists, chefs, musicians, and designers.
 
Designers use color to finding the right palette to bring life to their products. Musicians often think about the color of tonality and sound so they can produce body moving rhythms. Blending warm and cool tastes, Chefs use color relationships in creating their recipes. Pastry chefs, like chefs, use color as an element to sculpt their edible forms. Color is a crucial dimension of artistic expression; this can easily be seen in “Translucence,” an exhibition of new work by painter Deanna Sirlin.
 
This panel accompanies Sirlin’s exhibition by focusing on her primary concern as a colorist – the language of color. Speakers from a variety of fields will address what color means to them and how they use it or address it in their work.

 

Panelist:

 

  • Deanna Sirlin, artist
  • Euneika Rogers Sipp, multidisciplinary artist and designer, and founder of Destination Design School
  • Deborah VanTrece, chef of Twisted Soul Cookhouse and Pours
  • Daryl White, anthropologist, professor emeritus at Spelman College
  • Gregory Zinman, assistant professor in the School of Literature, Media, and Communication at the Georgia Institute of Technology

 

Click here to RSVP for the panel discussion.

 

Gallery 72 Hosts Arts and Culture Podcast “Today Maybe Forever”

Gallery 72 Hosts Arts and Culture Podcast “Today Maybe Forever” 

Today Maybe Forever, a podcast hosted and produced by arts and cultural journalist Floyd Hall, will record a series of podcasts in Gallery 72 in the month of August, starting August XX

Featuring compelling ideas and discussion with extraordinary people, Today Maybe Forever discusses the importance of context and cultural memory in the arts, sciences, design and pop culture.

Subscribe and Listen to the newest episode on SoundCloud and iTunes.

Artist Deanna Sirlin to Exhibit New Artwork at Gallery 72

Artist Deanna Sirlin to Exhibit New Artwork at Gallery 72

just-you-deanna-sirlin

The Mayor’s Office of Cultural Affairs is pleased to announce an exhibition of new works by Deanna Sirlin opening Thursday, August 16 at Gallery 72

This exhibition features 21 of Deanna Sirlin’s new works, including mixed media collages that incorporate both traditional art materials and pieces of her own works alongside elements of recycled and found objects. a site-specific large-scale window installation created exclusively for Gallery 72, and paintings on canvas.

Sirlin is well-known as a pioneer of using digitally printed transparent materials as a vehicle for her intensely colored abstract imagery. She has completed eight such installations around the world; this will be her first, new installation exhibited in Atlanta since 2006. Sirlin will also present a video work that she made in collaboration with New York artist Matthew Ostrowski.

As the artist herself states,

“My works employ collage because of a desire to hold a color in my hand and place the color into the composition.  The works are made by creating and finding color shapes that are cut into particular forms. My interest is in the interaction of color and shape; the structure is based on affinities and inclinations between and among the elements that are found, made, and rescued. Forms and shapes overlay each other–sections are embedded into the surface as a response. Elements conceal and reveal the underpinnings of the structure of map-like compositions that are also a kind of plan view. As I place each piece on each color in the composition, all is in response. I replay, reply and reaffirm with each piece in the individual conversation to create a place, a thought, and a pictorial idea.

I am repurposing my paintings and drawings into new works. With each piece of a former work that I hold in my hand and place within the new work, a new history is created that calls upon my past. I also create new pieces of color and add found images to this visual dialogue. Forms overlay, overlap, reveal and conceal as they are placed in the work.”

Opening Reception
Thursday, Aug. 16. from 6  p.m. to 9 p.m.

RSVP for the reception here.

Gallery 72 Hosts Panel Discussion on Development, Economics, and Race in Atlanta

Gallery 72 Hosts Panel Discussion on Development, Economics, and Race in Atlanta

The City of Atlanta’s Gallery 72 will present the panel discussion: Memory, Race, and Erasure in Urban Atlanta on Friday, July 6 from 7 pm to 9 pm.
The panel discussion, inspired by Gallery 72’s current exhibition, “The Compassionate Eye in Forgotten Atlanta,” will include panelists, Paul Crater, Maurice J. Hobson, Kelly Kristen Jones, C. Rose Smith and Mtamanika Youngblood, who will discuss concerns regarding development, economics, and race in Atlanta. 
Stop by Gallery 72 on July 6 for our artist talk and come see the current exhibit, showing until August 10.
About “The Compassionate Eye in Forgotten Atlanta” by Rusty Miller
Russell “Rusty” Stough Miller (1933-1992) grew up in Atlanta and decided he wanted to be a commercial photographer rather than work in the family printing business. Rusty Miller followed his personal passion on the weekends by documenting the people who lived in Old Fourth Ward, Vine City, Summerhill, Washington-Rawson and Buttermilk Bottoms, where there were unpaved streets, electricity was rare and life went on as usual, outside of the turmoil during the 1960s Civil Rights Movement activities in downtown Atlanta.

Gallery 72 Showcases “Forgotten Atlanta” in New Exhibit

Gallery 72 Showcases “Forgotten Atlanta” in New Exhibit

The City of Atlanta’s Gallery 72 is honored to present the first solo exhibition of Rusty Miller’s vintage and later photographs of Atlanta, circa 1960s to 1970s, in “The Compassionate Eye in Forgotten Atlanta.”  The exhibition, in collaboration with curator Susan Todd-Raque, features a selection of 50 photographs portraying the people in various communities now gone or changed forever.

Russell Stough Miller (1933-1992) grew up in Atlanta and decided he wanted to be a commercial photographer rather than work in the family printing business. Rusty Miller followed his personal passion on the weekends by documenting the residents of Old Fourth Ward, Vine City, Summerhill, Washington-Rawson and Buttermilk Bottoms, where there were unpaved streets, electricity was rare and life went on as usual, outside of the turmoil during the 1960s Civil Rights Movement activities in downtown Atlanta,

Stored away for more than 20 years by friends and then his daughter, Miller’s photographs now give visibility to those who were marginalized and invisible to the world at the time.  There is a simple connection to people, their spirit and their hearts, rarely seen in photography today.  Each image is a fresh experience captured.  Children laughing and giggling as they squish into a makeshift go-cart made from a fruit crate or as they roll old tires in a race down a hill.  Whether sitting on a porch or hanging near the local grocery store, men and women are making small talk on a hot summer day and watching people go by.  We see life in Atlanta’s neighborhoods soon to be destroyed or negatively affected by the building of the Atlanta-Fulton County Stadium.  The bus series from the 1970s shaped another setting for Miller to quietly study the moods of the passengers; some lost in thought and distant from Miller, others aware of his camera.

This is where we need YOU, the people of Atlanta!  Please come and help us identify who the people are and where the places were.  Their history is unfinished and we would like to give recognition to those who have been forgotten.

Panel Discussion: Memory, Race, and Erasure in Urban Atlanta.
July 6, 2018 from 7  p.m. to 9 p.m.

Panelist: Paul Crater, Maurice J. Hobson, Kelly Kristen Jones, and Mtaminika Youngblood

For more information please contact the gallery at 404.546.3220 or [email protected]

Upcoming Exhibition at Gallery 72 – Call and Response, 40 years of Atlanta Jazz Festival Art

Upcoming Exhibition at Gallery 72 – Call and Response, 40 years of Atlanta Jazz Festival Art

The exhibition will feature a selection of artworks that were used over the years to create posters for the Atlanta Jazz Festival. The exhibition will feature the artwork of notable artist such as Wadsworth Jarrell, Sam Middleton, Michael Bryan, Charly Palmer, Zachariah A. Anderson, Anthony Liggins, Latrelle Dubose, Corey Barksdale and others. The exhibition will open April 27TH with a reception to take place May 4th. The show will run until June 1st 2017.

Opening Reception at Gallery 72!

Opening Reception at Gallery 72!

Join us Thursday, February 16th, for the opening reception of our new exhibition- Southern Graphics Council International Conference Exhibition Featuring University of Georgia Alumni.

Gallery 72 to Host City of Atlanta Employee Arts Exhibit

Gallery 72 to Host City of Atlanta Employee Arts Exhibit

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About OCA

The City of Atlanta’s Office of Cultural Affairs (OCA) was established in 1974 to encourage and support Atlanta’s cultural resources. The initial mission was to solidify the role that arts and other cultural resources play in defining and enhancing the social fabric and quality of life of Atlanta citizens and visitors.

Today the OCA understands that the arts play an essential role in defining the cultural vitality of the city and is working to enhance Atlanta’s reputation as a cultural destination. The OCA aims to provide programs that contribute substantially to the city’s economy and quality of life.

The Office of Cultural Affairs’ programming is executed in four key areas:  Arts and Education Services, Contracts for Arts Services, Performing Arts, and Public Art.  The OCA also manages the Chastain Arts Center/City Gallery at Chastain and Gallery 72.  Our individual programs are:

The Cultural Experience Project (CEP), which aligns the City of Atlanta with the philanthropic arm of business organizations throughout the area, provides opportunities for over 30,000 Atlanta Public School (APS) students, Pre-K through 12th Grade, to experience the broad range of Atlanta’s premiere cultural venues and artistic programs at no cost to the student.

Contracts for Arts Services (CAS) and power2give/Atlanta annually contribute funding to arts organizations and individual artists for art projects and experiences in Atlanta. This allows us to support artistic efforts throughout the city and provide an opportunity for arts organizations to raise additional funds within the community through our online fundraising tool, power2give/Atlanta.

The Atlanta Jazz Festival (AJF) welcomes thousands of residents and visitors to Piedmont Park for our annual free, multi-day jazz festival each Memorial Day Weekend. The Atlanta Jazz Festival, Incorporated , a 501(c)(3), supports AJF programming through donations and the support of its members, the 35 for 35 Society, a philanthropic group comprised of individuals dedicated to the preservation of jazz.

The Public Art Program (PAP) focuses on the conservation and maintenance of Atlanta’s Public Art Collection and also produces ELEVATE, an annual free Public Art festival featuring local, national and international artists throughout the city.  ELEVATE has been named one of the Top 50 Public Art Projects in the Country by Americans for the Arts and has also been nominated for the Livable Cities Award.  The PAP also manages City of Atlanta Public Art Audio Tours which focus on educating the residents and guests about Atlanta’s Public Art Collection located in the central downtown Atlanta area.

Chastain Arts Center (CAC) serves over 500 students, employs about 30 instructors and continues to maintain a steady stream of revenue from class enrollment, Art a la Carte summer camp, and the Shop at Chastain. The City Gallery at Chastain hosts exhibitions throughout the fiscal year, adding to Atlanta’s unique cultural landscape.

The Office of Cultural Affairs also interfaces with the international community by providing opportunities for cultural exchange. These exchanges are evident in our programming for the Atlanta Jazz Festival, ELEVATE, and workshops in our facilities by artists, primarily from Atlanta’s Sister Cities.   In addition, the OCA routinely works with the Airport Art Program and the Atlanta Beltline on their initiatives, including representation on artist selection panels, and oversight of their installations.

2019-2020 Grade Level Experiences

Pre-K 

Children’s Museum

Kindergarten 

Atlanta Botanical Garden

1st Grade

Chattahoochee Nature Center

2nd Grade

Atlanta Ballet

3rd Grade

 Atlanta History Center

4th Grade 

Atlanta Symphony Orchestra

5th Grade

The High Museum of Art

6th Grade 

Alliance Theatre

7th Grade 

Arts Bridge

8th Grade 

National Center for Civil & Human Rights         

High School 1

Apex Museum

High School 2

Atlanta Opera

High School 3 

Atlanta Shakespeare Company

High School 4

Ballethenic

High School 5

Carter Library and Museum

High School 6

Chick-fil-A Backstage Tour

High School 7

College Football Hall of Fame

High School 8

David J. Sencer CDC Museum

High School 9

Georgia Aquarium

High School 10

Giwayen Mata

High School 11

Hammond House

High School 12

King Center

High School 13

Museum of Design Atlanta

High School 14

Moving In the Spirit

High School 15

Oakland Cemetery

High School 16

Rialto Center for the Arts ( Alvin Ailey)

High School 17

Theatrical Outfit

High School 18

Threepeat Teach

High School 19

True Colors Theatre Company

High School 20

ZuCot Gallery

Study Guides and Resources

Pre-K

Study Guide – Children’s Museum

Things to Know, Before You Go – Children’s Museum

Kindergarten

Study Guide – Atlanta Botanical Gardens

Things To Know, Before You Go – Atlanta Botanical Gardens

1st Grade

Study Guide – Chattahoochee Nature Center

Things To Know, Before You Go – Chattahoochee Nature Center

2nd Grade

Study Guide – Atlanta Ballet

Things To Know, Before You Go – Atlanta Ballet

3rd Grade

Study Guide – Atlanta History Center

The Slaves Dream Poem

Emancipation Proclamation Pre-Visit

Student Quiz

Things To Know, Before You Go – Atlanta History Center

4th Grade 

Study Guide/Things To Before You Go – Atlanta Symphony Orchestra

5th Grade

Study Guide –  High Museum of Art

Things To Know, Before You Go – High Museum of Art

6th Grade

Study Guide – Alliance Theatre

Things To Know, Before You Go – Alliance Theatre

7th Grade

Study Guide/Things To Know, Before You Go – Arts Bridge

8th Grade

Study Guide – National Center for Civil & Human Rights

Things To Know, Before You Go – National Center for Civil & Human Rights

Study Guide – ZuCot Gallery

Things To Know, Before You Go – ZuCot Gallery

High School Trips

Apex Museum

Study Guide – Apex Museum

Stories and Lessons They Teach

Things To Know, Before You Go – Apex Museum

Atlanta Opera

Study Guide/Things To Know, Before You Go

Carter  Library & Museum

Study Guide – Jimmy Carter Presidential Library

Things To Know, Before You Go – Jimmy Carter Presidential Library

Chick-fil-A Backstage Tour

Study Guide – Chick-fil-A Backstage Tour

Things To Know, Before You Go – Chick – fil- A Backstage Tour

Chick-fil-A College Football Hall of Fame

Study Guide – College Football Hall of Fame

Things To Know, Before You Go – College Football Hall of Fame

David J. Sencer CDC Museum

Study Guide/Things to Know, Before You Go –  David J Sencer CDC Museum

Georgia Aquarium 

Teacher Guide – Georgia Aquarium

Student Guide – Georgia Aquarium

Things To Know, Before You Go – Georgia Aquarium

Giwayen Mata

 Study Guide – Giwayen Mata

Things to Know Before You Go – Study Guide

King Center

Study Guide e-Visit Assignment – The King Center

Things To Know, Before You Go – The King Center

Oakland Cemetery

Study Guide – High Museum – Historic Oakland Cemetery

Things To Know, Before You Go – Historic Oakland Cemetery

Rialto Center for the Arts

Study Guide – Rialto Center for the Arts

Things To Know, Before You Go – Rialto Center for the Arts

Theatrical Outfit

Study Guide – Theatrical Outfit

Things To Know, Before You Go – Theatrical Outfit

Threepeat Teach Production

Study Guide – Threepeat Teach Productions

Things To Know, Before You Go – Threepeat Teach Productions

True Colors Theatre Company

Study Guide – True Colors Theatre Company

Things To Know, Before You Go – True Colors Theatre Company

ZUCOT GALLERY

Study Guide – ZuCot Gallery

Things To Know, Before You Go – ZuCot Gallery

 

ELEVATE: Summer

ELEVATE: Summer

Friday, July 22, 2016

On July 22nd, 2016 the City of Atlanta- Mayor’s Office of Cultural Affairs introduced a new ELEVATE event called ELEVATE: Summer. This new event was the beginning of making ELEVATE a year-round public art experience with seasonal programming. ELEVATE: Summer took place on Broad St. SW from 3:00-11:00pm. This one day event featured performance art, dance, music, public art installations by nearby arts organizations, an artist market, and food trucks. The purpose of ELEVATE: Summer was to bring attention to the performing arts of Atlanta and the state of Georgia while also showcasing the arts organizations that have created an arts district in the Broad St. SW area. Atlanta artist and long-time contributor to the arts, Priscilla Smith, was the emcee for the day.

During ELEVATE: Summer event, the Mayor’s Office of Cultural Affairs announced its plans for the sixth annual ELEVATE public art festival, to occur later this year in October. The week-long ELEVATE public art festival will take place from October 13-21, 2016 along Broad Street SW in South Downtown. Included in this announcement was the unveiling of the ELEVATE curatorial team—comprised of Allie Bashuk, Monica Campana, Pastiche Lumumba and Mark DiNatale. This diverse curatorial team will help bring unique public art experiences through the festival theme “Microcosm.”

ELEVATE: Summer Programming:

For ELEVATE: Summer the Mayor’s Office of Cultural Affairs (OCA) partnered with Poetry Slam Inc. to bring Georgia poetry slam groups Java Monkey, Just N Thyme, Fountain City and Art Amok to the event. Additionally, OCA curated an artist market and commissioned the 5 arts organizations  (i.e. Mammal Gallery, Eyedrum Art & Music Gallery, Downtown Player’s Club, Murmur, and Broad Street Visitors Center) in South Downtown to create art installations for ELEVATE: Summer.

Fountain City Slam Poets

Fountain City Slam Poets

Artistic Director of the Natya Dhaara Performing Arts Center, Uma Palam Pulendran

Artistic Director of the Natya Dhaara Performing Arts Center, Uma Palam Pulendran

Ajmal " Mas Man" Millar's performance "We Are One"

Ajmal ” Mas Man” Millar’s performance “We Are One”

Mausiki Scales & the Common Ground Collective

Mausiki Scales & the Common Ground Collective

BOSCO and Speakerfoxxx

BOSCO and Speakerfoxxx

Brandon English's Black Lives Matter Photography Exhibit at Broad Street Visitors Center

Brandon English’s Black Lives Matter Photography Exhibit at Broad Street Visitors Center

Dream Collection Agency takes over Downtown Player's Club

Dream Collection Agency takes over Downtown Player’s Club

Precarious Bodies exhibition at Murmur

Precarious Bodies exhibition at Murmur

ELEVATE summer launch party web resolution files

William Kennedy’s 32 CRT TV wall installation in the entrance of Mammal Gallery.

Summer 8

Art On The Wall artist painting live

 

Paul Stephen Benjamin: Come Over

February 25th – April 7th, 2016

“Come Over,” an exhibition by award winning artist Paul Stephen Benjamin, focused on the politics of aesthetics, (mis) representation, and cultural assumption. Words and images, unhinged from their initial context and meaning, were re-mixed into critical confrontations that called into question our historical perceptions of ourselves and others. Benjamin used language and visuals to interrogate long established cultural narratives, and their casual acceptance by and effect on the American public.

“Come Over” is an invitation to closely look at black: the color, the people, and by his own merit, the culture of blackness. Through centuries of oppression, the black body has been left abused by the system, engendering feelings of inadequacy in the collective psyche. Benjamin’s work is an affirmation, a piecing together of the broken and bruised body to be made beautiful again.” –

About the Artist

Paul Stephen Benjamin received his BA from the University of Illinois at Urbana-Champaign and his MFA from Georgia State University. Benjamin is a recipient of the 2014 Artadia Award. Recently, he was featured in the Atlanta Contemporary Art Center exhibition “Coloring” and is currently on view at the High Museum of Art, Atlanta–his work titled “Black is the Color” is on view on the contemporary art floor.

He was also featured in the group exhibition Emerging Artist Award Winners 15th Year Retrospective Exhibition at The Swan Coach House. Among his awards to date are the Winnie B. Chandler Fellowship, Diasporal Rhythms Artists Recognition Award, Hambidge Fellowship, The Atlanta Contemporary Art Center Studio Program and the Forward Arts Emerging Artists Award.

Reviews: 

BURNAWAY: http://burnaway.org/review/studies-in-blackness-paul-stephen-benjamin-at-high-gallery/ 

CREATIVE LOAFING: http://clatl.com/freshloaf/archives/2016/02/23/paul-stephen-benjamin-explores-the-color-black

ARTSATL: http://www.artsatl.com/2016/03/review-paul-stephen-benjamins-come-over/

 

Images/Video of the Come Over Exhibition

 

 

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Joni Younkins-Herzog

Artist Resume

Artist Email: [email protected]

Artist Website: www.joniyounkinsherzog.com

Medium: sculpture, metal, stone, fiberglass

Artist Statement

I grew up in the suburban sprawl outside of Atlanta, Georgia. After enjoying extended undergraduate studies in Athens, Georgia I moved to pursue my MFA in Sculpture from Indiana University. My work has been featured in exhibitions across the country, including New York, Fort Lauderdale, San Francisco, the “Art Prize” in Grand Rapids, Michigan; internationally in Pabianice, Poland; Cajabamba, Peru, and recently in Sang Arts Village, Ghana where I created large outdoor works. My sculptures combine beauty with absurdity often blurring the lines between reality and fantasy. Utilizing many mediums, I lure the viewer in with luscious colors and materials, to contemplate anxious content in close proximity.

My search for beauty and purpose manifests into forms that abstract femininity and vitality. Reshaping the body reflects a delight in making allegory; combined with grafting elements of the human form demonstrating my curiosity about science, medicine and the search for human perfection. My sculptures are hybrids, psychological mythologies, and manifestations of our bodies. Within my work the human body is displaced retaining ranges of recognizable features-but what remains behind is an interest in the dispersal and fertilization of the feminine mystique. I am exploring the metaphors of flowers with shifts in scale and material. I like to emphasize the physical strain and tension present in actual flower petals as they push to open and invite pollination. My objective is to ask the viewer to confront the interior and exterior space with an invitation to peek inside.

 

 

ELEVATE 2015: (F)OREVER (I) (L)OVE (A)TLANTA: The ART of ORGANIZED NOIZE

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October 15, 2015 – November 12, 2015

When Rico Wade, Ray Murray and Pat “Sleepy” Brown formed Organized Noize in the early 1990s, hip-hop was in the midst of a vicious (and ultimately fatal) bi-coastal turf war.  While historically polarized between (North) East Coast rap artists and West Coast rap artists, Organized Noize completely changed the direction of hip-hop culture, its sounds and expression.

This exhibition traced the legacy of Organized Noize and their Dungeon Family Collective (which includes Outkast, Goodie Mob, Joi, Slimm Cutta Calhoun, Big Rube and more) from their dirt-floor basements to stages around the world. The exhibition featured archival items from Organized Noize and the Dungeon Family including photographs, artwork, studio equipment, notebooks, costumes and more.

This exhibition was a part of the ELEVATE 2015 Program. For more information, please visit our ELEVATE page.

Exhibition Press/Reviews

Creative Loafing

Rolling Out

Georgia State University: African American Studies

Ray Cornelius Blog

Tuc Magazine

Southern Spaces

 

IMAGES FROM THE EXHIBITION

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ELEVATE 2012

October 19-27, 2012

 

ELEVATE 2012 opened with a vivacious block party on South Broad Street.  View Creative Loafing’s Photo Gallery of the Opening Block Party here: http://clatl.com/atlanta/elevate-block-party/Slideshow?oid=6776588

2012 ART 

South Broad St. Mural Paintings

ELEVATE 2012 brought four of the world’s most interesting street artists from around the world to Atlanta to create mural paintings on four South Broad Street building facades. These murals are still up on South Broad!

       Artists were:

SEVER

SEVER

Born

Born- Atlanta, GA

Push

Push- Los Angeles, CA

HENSE

HENSE- Atlanta, GA

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TILT- Toulouse, France

Other ART Projects Included:

Roni Nicole, Lillian Blades, Linda Costa, Banho De Luz- “Banho De Luz”- Carnegie Education Pavilion

Mixed Media installation and interactive video event featuring the art of Lillian Blades, Linda Costa, and Roni Nicole Henderson.  A historical monument of the City of Atlanta located at John Portman Boulevard and Peachtree Street, the Carnegie Education Pavilion was the site for an ambitious interactive ELEVATE project. A quilt like drapery by Lillian Blades, laden with LED lights enclosed the existing structure transforming the pavilion into a softly glowing public space. Passerbys were invited into the monument where they become the subject of an art- piece by photographer Linda Costa, best known for light painting and long exposure artworks. Photographs were then projected for public viewing in real time within the plaza area by video artist Roni – Nicole.

Pierre Rigal Dance, Toulouse France

Jessica Caldas, Avien Reese, Back on My Feet

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Randy Walker, Colorfalls Woodruff Park Fountain

Woodruff Park Fountain, a landmark of downtown scenery, was the site of a subtle installation by Minnesota artist Randy Walker. The installation piece subtly integrates colored fibers behind the water fall feature on the fountain. This artwork examines the impact of even a slight creative transformation to heighten the public’s awareness of their environment.

Adrian Barzaga, Save it or Pave it

Located at 143 Alabama street, this five story building, once serving as a thriving hub of activity for the Atlanta Constitution may potentially be removed upon the construction of Atlanta’s new Metro Modal Passenger Transport. Numerous activist groups are currently working to save and memorialize this building advocating for the structure’s importance and historical significance. Through this minimal contemporary facade design, the artist looks to illustrate the nervous human-like energy within the building as it currently knows not what the future holds in store.

 

2013 EVENTS

The Imaginary Million- The artwork of 100 artists was on display at the 200 Peachtree Street Atrium. During the evening, each of the 100 artists bid on the work of his peers with $10,000 in “play” money. At the end of the night, artists took home the work they won, and no real money was exchanged.

 

See another promo video for ELEVATE 2012 here:

Now thru December; Chastain Arts Center’s Annual Holiday Show & Sale

Now thru December 23rd, Chastain Arts Center’s Annual Holiday Show & Sale continues in the City Gallery at Chastain until 5:00 pm each day.

Each year, the Holiday Show & Sale features work skillfully crafted by Chastain Arts Center instructors and students and promises an incredible variety of jewelry, pottery, paintings, prints, scarves, garden art, photographs, and more! Support local artists and find one of a kind, handmade, and affordable gifts and fine art.

We guarantee there will be something to suit any taste and budget.

The arts center is located in Chastain Park.   Call 404.252.2927 for details.   http://www.ocaatlanta.com/chastain/

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Chastain News And Events – Archives

2014


2014HSS

 

2014 HOLIDAY ART SHOW AND SALE

Join us at the Chastain Art Center’s Holiday Show and Sale!  One of our largest fundraisers, the Show and Sale offers instructors and students an opportunity to showcase their talents.

This marketplace event will feature items from across the disciplines that have been created at the center.

This year’s Show and Sale will run from Novmeber 7th to January 3rd.

An opening reception will be held on the 7th from 6-8pm.

Come do some holiday shopping and view the fantastic work being produced at Chastain!


CHASTAIN ARTS CENTER PRESENTS

THE SCHOOL

Visit the Chastain Arts Center Gallery through September 20th to see THE SCHOOL. The exhibition consists of work by artists Bethany Collins, Carina D. Maye, Joe Lester, Michael Scoggins, Andrew Crawford and Paul Stephen Benjamin.  The exhibit showcases work inspired by objects you would see in a school with varied conceptual meanings.  From Andrew Crawford’s sculptural ruler to Michael Scoggins oversized report, this show puts a conceptual spin on school supplies.

August 15 – September 20, 2014

Chastain Arts Center Gallery   135 West Wieuca Rd. NW      Atlanta. GA 30342

Admission: FREE

 

 


 

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CHASTAIN ARTS CENTER’S
ANNUAL SPRING ART SHOW & SALE

*Dates Changed*

May 9 – May 30, 2014
Opening Reception: Friday, May 9, 6:00pm-8:00pm

 


 


 

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2014 OCA Emerging Artist Award Exhibition
Featuring Award recipients
Aubrey Longley-Cook & Jessica Caldas

  

 

March 17- April 17
Closing Reception –  April 16th, 6:30 – 8:00pm
135 W. Wieuca Road NW, Atlanta, GA 30342

 

Atlanta – The Mayor’s Office of Cultural Affairs is proud to announce the recipients of the Emerging Artist Award, as part of the Contracts for Arts Services program. An exhibition, showcasing the work of this year’s recipients, will be on view at the Chastain Arts Center Gallery, 135 W. Wieuca Rd. NW, Atlanta, GA 30342, starting on the 17th of March.  The exhibition’s closing reception will take place at the Gallery on April 16th from 6:30-8:00pm.  For gallery hours, please call 404-252-2927.The 2014 Emerging Artist Award will be presented to Jessica Caldas, a visual artist, and Aubrey Longley-Cook, a media artist. Each artist will receive a $1,500 grant.  During the reception, Councilmember Natalyn Archibong will also present each artist with an official Proclamation on behalf of the Atlanta City Council.

“Atlanta is recognized as one of the top cities in which to make a living as an artist,” said Camille Russell Love, Executive Director of the Mayor’s Office of Cultural Affairs. “This award is one of the ways that we support professional artists living and working in the City of Atlanta.  As these two artists’ careers continue to flourish in the coming years, we look forward to seeing the positive impact they make in Atlanta’s creative community.”

Emerging Artist Award recipients are chosen by a community panel. Priority is given to artists 35 years of age or younger or with less than 5 years experience in their field.

About the Mayor’s Office of Cultural Affairs
The Mayor’s Office of Cultural Affairs (OCA), a division of the Mayor’s Executive Offices, was established in 1974 with the mission to encourage and support Atlanta’s cultural resources. The OCA continues to promote Atlanta as a cultural destination through a variety of events and educational programming, including the Emerging Artist Award.  For more information, please visit www.ocaatlanta.com.

About the Emerging Artist Award
The Emerging Artist Award, presented by the Mayor’s Office of Cultural Affairs and the Contracts for Arts Services program, recognizes and rewards talented professional artists living and creating art in the City of Atlanta. By honoring these artists, the Mayor’s Office of Cultural Affairs aims to increase awareness of their work and further the careers and professional development of each individual.


 

CHASTAIN ARTS CENTER ON CNN

Chastain Arts Center artist Marie Matthews and her iPhone Photography class were interviewed for a video on the CNN website.

Click below to watch her story (please be patient, the video takes a while to load).

You can also watch it on the CNN website by clicking here.

Joe C. Nicholson

EDUCATION
Master of Fine Arts, Yale University, New Haven, Connecticut, 1965
Bachelor of Fine Arts, Yale University, New Haven Connecticut, 1963
Bachelor of Arts, DePauw University, Greencastle, Indiana, 1962
Diploma, Bosse High School, Evansville, Indiana, 1958

APPRENTICESHIPS
Charles & Ray Eames Office, Venice, California, 1974-76

PUBLIC ART PROJECTS & COMPETITIONS
Public Artist, Alexandria Police Memorial Competition Finalist (on-going), 2010
Public Artist, University Circle Rapid Transit Station Finalist, Greater Cleveland Transit Authority (RTA), 2010
Public Artist, Indianapolis International Airport Public Art Entry-Way, Indianapolis, IN, 2007
Public Artist, LightPath on Pine, Long Beach, CA, 2006
Public Artist, San Luis Rey Wastewater Treatment Plant Public Art Project, City of Oceanside, CA, 2001-2004
Public Artist, Long Beach Passport Center (Pine Street) Project, Light Sculpture, Long Beach, CA, 2001-2004
Public Artist, Martin Luther King, Jr. National Memorial, Washington, DC (Competition Finalist), 2000
Public Artist, City of Escondido East Valley Parkway (Competition), Escondido, CA, 1999
Public Artist, STart (Central Puget Sound Regional Transit Authority Artist Initiated Projects, Seattle, WA 1998
1998 Public Artist, Linear Park Phase III, Centre City Development Corporation, San Diego, CA, 1998
Environmental Designer & Public Artist, City of National City Public Right-Of-Way Improvement Program,
Community Development Commission, National City, CA, 1995
Environmental Designer & Public Artist, Martin Luther King, Jr. Extension Project, Center City Development
Commission (CCDC), San Diego, CA, 1994
Public Artist, Peace Memorial Competition, Washington DC, 1989 (Competition
Public Artist, Vietnam Memorial Competition, Washington DC, 1984 (Competition)
Public Mural Artist, Carnegie Museum of Art Mural Project, Pittsburgh, PA, 1970

LEGISLATIVE/GOVERNMENTAL RECOGNITION
California State Senate Certificate of Recognition for the public art project LightBridge, Long Beach, CA, 2004
California State Legislature Certificate of Appreciation for the public art project, LightBridge, Long Beach, CA, 2004
California State Legislature Certificate of Recognition for the public art project LightBridge, Long beach, CA, 2004
1992 Federal Design Achievement Award, from the National Endowment for the Arts, for the Environmental Graphics
Program, the Escondido Civic Center, Escondido, CA, 1992

ONE MAN EXHIBITIONS
One-Man Show, Carnegie Museum of Art, Pittsburgh, Pennsylvania, 1968
One-Man Show, Chatham College, Pittsburgh, Pennsylvania, 1967

GROUP EXHIBITIONS
Owensboro Museum of Fine Art Biennial, Owensboro, KY 2005
Salon, ArtsCollege International Exhibition, San Diego, CA, 2000
Group Show, Dimension Gallery, Pittsburgh, PA, 1971
Associated Artists of Pittsburgh 61st Annual, Pittsburgh, PA, 1971
Board of Directors Show, Associated Artists of Pittsburgh, Pittsburgh, PA 1971
Sixth Invitational Regional Painting & Sculpture Exhibition, Westmoreland County Museum of Art, Greensburg, PA, 1970
Associated Artists of Pittsburgh 60th Annual, Pittsburgh, PA, 1970
Invitational Exhibition of Painting & Sculpture by Pittsburgh Artists, Carlow College, Pitt., PA, 1969
Associated Artists of Pittsburgh 58th Annual, Pittsburgh, PA, 1968
Associated Artists of Pittsburgh Center Member’s Work, Harrisburg, PA, 1968
Art of Our Time, Pittsburgh Plan for Art, Pittsburgh, PA, 1967
Associated Artists of Pittsburgh 57th Annual, Pittsburgh, PA, 1967
Two-Man Show, Chatham College, Pittsburgh, PA, 1965
New Haven Arts Festival, New Haven, CT, 1965
Yale University Branford College Exhibition, New Haven, CT, 1965
Museum of Arts & Sciences Tri-State Exhibition, Evansville, IN, 1963
First Annual Indiana Salon of Collegiate Art, Indiana University, Bloomington, IN, 1962
Museum of Arts & Sciences Tri-State Exhibition, Evansville, IN, 1962

TEACHING
Professor of Design, New School of Architecture & Design, 1984 to Present
Assistant Professor of Environmental Graphics, San Diego State University, 1984-85
Visiting Lecturer of Architecture & Fine Arts, University of Oregon, 1971-72
Assistant Professor of Architecture, Carnegie-Mellon University, 1968-70
Instructor of Art/Painting/Design/Art History, Chatham College, 1965-68
Teaching Assistant Fine Arts, Yale University, 1964-65

ART & DESIGN PROFESSIONAL ACTIVITIES: WORK EXPERIENCE
Principal, Nicholson Design, San Diego, California, 1976 to Present
Art Director, Marsteller, Inc., Los Angeles, California, 1972-74

PROFESSIONAL ORGANIZATIONS
Board Member, Art In Public Places Advisory Committee (AIPP), Commission For Arts & Culture, Public Art
Program, City of San Diego, CA, 1994-1997
Board Member, The Architectural Foundation, San Diego, CA, 1994-96
President, Associated Artists of Pittsburgh, Pittsburgh, PA, 1969-71
Board Member, Associated Artists of Pittsburgh, Pittsburgh, PA, 1968-71
Board Member, Steering Committee for the Formulation of an Arts Council for Pittsburgh, PA, 1967-68
Member, Pittsburgh Council for the Arts, Pittsburgh, PA, 1969-71
Member, Associated Artisits of Pittsburgh, Pittsburgh, PA, 1965-71
Member, Pittsburgh Plan for Art, Pittsburgh, PA, 1968-71
Exhibit Chairman, Arts & Crafts Center, Pittsburgh, PA, 1967-71

US PATENTS
Patent #D-360-745, Therapeutic Shoulder Device, 1994

Annual Report

Dear Friends and Supporters:

I am delighted to share a copy of the City of Atlanta Mayor’s Office of Cultural Affairs (OCA) fiscal year 2018 Annual Report with you.

The OCA is committed to enhancing the quality of life in Atlanta by promoting rich and diverse cultural experiences that preserve and protect Atlanta’s cultural heritage while enhancing its international reputation as a cultural destination.

We accomplish this goal by not only supporting and increasing the capacity of Atlanta’s nonprofit arts sector, as well as individual artists, but also providing a direct service to the community at large by programming world-class events and spaces that are free and open to the public.  As a supporter of arts education and audience development, we offer class and cultural opportunities and through our Chastian Arts Center and Gallery the Cultural Experience Project (our partnership program with Atlanta Public Schools), we send APS students from each grade level to one of Atlanta’s premiere cultural venues free of charge, furthering the students’ curriculum and exposure to creative industry.

The entire OCA team would like to thank Mayor Keisha Lance Bottoms for her support of and confidence in the work that we do.  We would also like to thank the members of Mayor Bottoms’s administration and the Atlanta City Council.  OCA is proud to diligently continue our work of more than 40 years – to solidify the role that the arts and other cultural resources play not only in defining and enhancing the social fabric and quality of life for Atlanta’s citizens and visitors, but also in strengthening our local economy.

As the OCA forges its path towards the future, we reflect on the fruitful partnerships that allow us to do this meaningful work and we look forward to continued progress and success.

Yours in art and culture,

CRL Sig
Camille Russell Love, Executive Director

 

Previous Annual Reports

Atlanta OCA Annual Report 2017

Atlanta OCA Annual Report 2016

Atlanta OCA Annual Report 2015

Atlanta OCA Annual Report 2014