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The Atlanta Jazz Festival Presents A Global Concert Viewing Party for International Jazz Day at The Plaza Theatre

 

The Atlanta Jazz Festival will host a free viewing party of The 2018 All-Star Global Concert on Monday, April 30 at The Plaza Theatre beginning at 4 p.m. Doors will open at 3:30 p.m.

The All-Star Global Concert will feature a stellar lineup of international artists representing jazz, and many other genres of music, for a performance that spans styles, cultures and languages taking place at St. Petersburg’s famed Mariinsky Theatre, home to the internationally acclaimed Mariinsky Ballet and one of the crown jewels of a city renowned for its UNESCO World Heritage sites.

The 2018 All-Star Global Concert will feature nearly three dozen acclaimed artists representing 14 countries, including many Atlanta Jazz Festival past performers. Herbie Hancock (USA) and Igor Butman (Russia) will serve as co-artistic directors, and John Beasley (USA) will serve as musical director.

Additional confirmed artists include: Cyrille Aimée (France), Oleg Akkuratov (Russia), Till Brönner (Germany), Oleg Butman (Russia), Terri Lyne Carrington (USA), Joey DeFrancesco (USA), Fatoumata Diawara (Mali), Vadim Eilenkrig (Russia), Kurt Elling (USA), Antonio Faraò (Italy), James Genus (USA), Robert Glasper (USA), David Goloschyokin (Russia), Hassan Hakmoun (Morocco), Gilad Hekselman (Israel), Horacio Hernandez (Cuba), Taku Hirano (Japan), Anatoly Kroll (Russia), Gaoyang Li (China), Rudresh Mahanthappa (USA), The Manhattan Transfer (USA), Branford Marsalis (USA), James Morrison (Australia), Moscow Jazz Orchestra (Russia), Makoto Ozone (Japan), Danilo Pérez (Panama), Dianne Reeves (USA), Lee Ritenour (USA), Luciana Souza (Brazil) and Ben Williams (USA), among others.

In the spirit of International Jazz Day, each year’s All-Star Global Concert takes place in a landmark venue with rich historical significance to the Global Host City and to the hosting nation. Long considered Russia’s cultural capital, St. Petersburg has played an important role in the popularization and development of jazz in Russia. The country’s jazz scene was born in 1927 in St. Petersburg with the appearance of the “First Concert Jazz Band” at the St. Petersburg State Capella, followed by the creation of the first jazz collective in 1929. Moreover, St. Petersburg is the only city in the country to have a Jazz Philharmonic Hall, founded in 1989.

The viewing party will be shown at The Plaza Theatre, a venue of cultural significance on the verge of celebrating its 80th anniversary. The theatre, located at 1049 Ponce De Leon Avenue, NE, was designed by architect George Harwell Bond and opened on December 23, 1939 as an art deco cinema and live theater space. In early 2013, the Plaza Theatre was sold to theatre enthusiast Michael Furlinger and has undergone extensive alterations to its original appearance, including the addition of a full-service bar with signature cocktails.

The event is free; however, registration is encouraged. Click here to register to attend the event.

OCA Newsletter :: April 2018

What’s up in Atlanta arts & culture for April? Find out here: https://mailchi.mp/628cff1b92f5/april-2018-newsletter
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April Newsletter

 

ATLANTA JAZZ FESTIVAL RELEASES FULL LINEUP OF 2018 ARTISTS

Highlights include Jon Batiste with The Dap-Kings, Dianne Reeves, The Bad Plus and Jazzmeia Horn, to name a few.

In a video announcement released Tuesday March 27, 2018, Mayor Keisha Lance Bottoms revealed the artist lineup for the 41st annual Atlanta Jazz Festival. The lineup includes a variety of jazz sounds and stylings presented on three stages: The Legends Stage, The Contemporary Stage and The Next Gen Stage. The country’s longest running free jazz festival will take place for two days over Memorial Day Weekend: Saturday, May 26 and Sunday, May 27, in Piedmont Park. For the first time in the event’s history, Saturday will feature a special all-female jazz lineup.

Restoration of Homage to St. Eom’s Pasaquan

The Office of Cultural Affairs is pleased to announce the completion of the Homage to St. EOM’s Pasaquan artwork restoration. The artwork was created by the late Eddie Owens Martin as a part of Folk Art Park during the 1996 Olympics. The piece pays homage to the original work located in Buena Vista, Ga. The Homage to St EOM’s Pasaquan incorporated large cast-concrete totems painted in vibrant colors, surrounded by brightly-painted mandala designs that vaguely reference Pacific-Islander sculpture and aboriginal artwork. The City of Atlanta provides stewardship to the piece and was made possible through the generous help of the Community Foundation, GPC Renovations, and artists: Jan Riley, Addison Adams, and Adrian Barzaga. The site is expected to be open to the public Mid-April.


Emerging Artist’s Exhibition Opening Reception

April 12th, 2018 6:00 pm – 8:00 pm

The City of Atlanta Mayor’s Office of Cultural Affairs presents this year’s Emerging Artist Exhibition, the opening reception  of the exhibit will be held Thursday, April 12th from 6 – 8 PM at the Chastain Arts Center. This exhibit is designed to support practicing artists residing in the City of Atlanta. The public is invited to come meet this year’s recipients: Charlina Rose Smith, Bella Dorado, and Lauren Peterson. Come out and support these local artists!

Ernest G. Welch Fellows MFA Exhibitions

April 2nd – April 6th

Maryam Palizgir’s : “Folded Mystery”
 
Folded Mystery project is the metaphors for how we exchange knowledge, how perception widens our perspective, and how observation deepens our understanding of the reality in which we live. I seek works of art that activate once the viewer is involved. Folded Mystery is about challenging viewers’ perception and multi-perception embodiment through 2D and 3D drawings, sculptural paintings installations focusing on the interaction of geometric abstract forms, colors, reflective objects and layering grid-like materials in space. I intend to focus on the complexity of space by making sculptural installations that allow me to look into and through things. I also bring photography into this exchange. I am preoccupied with finding new ways of seeing through the experimental cross-fertilization of drawing, sculpture, and photography, which stimulated a philosophically oriented questioning of vision and perception.

Aaron Kagan Putt’s “Another Failed Attempt”
 

Aaron Kagan Putt was raised in the dry heat and saguaro speckled landscape of Tucson, Arizona, not far from the border with Mexico. He ventured often between these divided territories, developing an intense interest in travel and cultural hybridity. Much of his work investigates the intersection between culture and its material manifestations on the landscape.
 
The works in Another Failed Attempt explores the impulse to manipulate material and forms as a means to achieve personal and societal transformation. Adopting a hybrid and nomadic form, this series of sculptures and paintings probe themes of utopian architecture, self-improvement and the human desire to memorialize.
 
Putt has been awarded grants by the Minnesota State Arts Board and his work has been exhibited internationally. He lives and works in Atlanta, Georgia and is currently a Master of Fine Arts and Master of Art History candidate at the Ernest G. Welch School of Art and Design at Georgia State University.

Elyse Defoor “Unbridled” 
April 12th –June 7th 2018

On April 12th, 2018 Artist Elyse Defoor’s exhibition “Unbridled” opens at Gallery 72.   “Unbridled” features bodies of work in sculpture, photography, and other media, that explore the emotional dichotomies of the human experience through meditations on marriage, restraint, death, rebirth and unbounded freedom. Through the creative use of ceremonial and mundane materials Defoor brings the viewer into spaces of mythic resonance and lived memory.
 

Art & Urban Resilience Discussion Panel and Reception
April 18th , 2018 6:30 pm to  11 pm

Over the recent years, the global community established a political and social trajectory of development known as the sustainability movement. The sustainability approach to development integrates dimensions of economic growth, social cohesion, and resilience. They are captured under 17 Sustainable Development Goals adopted by the global community at the United Nations in September, 2015. Among the specific goals are: Goal 3 – Good health and Well-being for People, Goal 11 – Sustainable Cities and Communities, Goal 12- Responsible Consumption and Production, Goal 13 – Climate Action. The goals among other embed universal ambition of preserving the world we live in for future generations.
 
Atlanta  is no stranger to these ambitions, in fact, it has recently joined the 100 Resilient Cities campaign and adopted a resilience strategy that pursues the vision of sustainable growth in Atlanta’s local context. What is unique about the vision is the very key role that art and culture occupy. Art and Culture become vehicles to achieve ambitions of resilience urban future of Atlanta, ready to absorb acute and chronic shocks and disasters – from environmental degradation to racial inequality, and urban sprawl. The role of art and culture in defining the progressive direction of Atlanta’s growth is very distinct from other urban centers. From civil rights movement and socio-political change to Captain Planet and the environmental movement, art held a key role in promoting grassroots driven behavioral and political change in Atlanta city context. This trend is still very much alive today among the existing artist community in Atlanta, who create public a (community) art within the local and global themes of social cohesion, development, and environmental protection.
 
Building on the historical contributions of art to change, the Urban Catalyst Lab and the Atlanta Mayor’s Office of Cultural Affairs is putting together a local and global expert panel to discuss the role and capacity of art to address the current global and local issues of development, and to initiate and facilitate social, behavioral and political change. Using concrete current and historic, local and global examples, the panel will explore the role of arts in building urban resilience and sustainability, and show the inherent link between art and sustainable urban growth.
 
The panel will include the recent local to global art community intervention in Johns Creek, a focus on the past and  current exhibitions at Gallery 72,  and the development of the upcoming art + urban resilience lab,
 

The panel will engage speakers from Mayor’s Office of Cultural Affairs and Office Resilience, local and international artists to discuss how art, policy and change align to achieve sustainable urban future.

The panelists include: 
William Massey: Atlanta based artist, ColorATL
Hanif Kureshi: Indian artist, S+art Delhi Street art Festival
Kevin Sipp: Mayor’s Office of Cultural Affairs
Michelle Wiseman: Mayor’s Office of Resilience
Lynda Smith: Johns Creek Convention and Visitors Bureau
Ruxanda Renita & Ana Gabriele Sabancevaite: Urban Catalyst Lab


RECEPTIN PARTY
Virtual Reality Art by Jessica Anderson
Music by DJ Stan Zeff 

Contracts For Arts Services Application Workshops

Call For Panelists for 2019 Grant Cycle

Contract For Arts Services Emerging Artists Award Recipients

April 12th, 2018 6:30pm – 8:00pm

On Thursday, April 12th at the Chastain Art Center Gallery from 6:30pm to 8:00pm, the Mayor’s Office of Cultural Affairs will recognize three Emerging Artist Award recipients in the categories of Dance and Visual Arts. The artists will be honored with a reception and an exhibition of their work.

Each year, the Mayor’s Office of Cultural Affairs through the Contracts for Arts Services program recognizes rising stars in the arts through the Emerging Artist Award which promotes the work of professional artists of notable talent and ability living and creating are within the city of Atlanta.

This year’s recipients are:

Gabriella “Bella” Dorado
Bella Dorado is a choreographer, performing artist, educator, and producer. Her movement is characterized by a driving sinuous flow and explorations of vulnerability and the dark places full of risk and magic. Learn more about the artist by visiting her website.

Lauren Peterson
Lauren Peterson is an interdisciplinary artist who creates new systems for devalued objects, focusing on the potential ontological ramifications of a consumption-based society. Learn more about the artist by visiting her website.

Charlina “Rose” Smith
Rose uses photography for activism, to discuss social issues that reflect the present time, and to tell the story of the black experience in America. Learn more about the artist by visiting her website.

OCA Selected as Winners of KaBOOM! Play Everywhere Challege

On Saturday, March 3rd , The Play Everywhere Tour, powered by KaBOOM! and Target, visited Atlanta, bringing families and kids together for FREE, fun-filled family play. As part of the Tour, the Play Everywhere Challenge winners were announced, awarding $720,000 in total grants for creative projects that encourage play in Atlanta, Dallas, Houston and Miami. The City of Atlanta Mayor’s Office of Cultural Affairs has been selected a Play Everywhere Challenge winner. We have been awarded a $25,000 to help support our project “John Lewis’s Ride to Freedom.” The project includes incorporating a play space on the PATH Trail in Freedom Park near “The Bridge” artwork dedicated to Congressman John Lewis. The play space will focus on the 1961 Freedom Riders Route from Washington, DC to New Orleans, LA. An artist derived play-scape on the PATH trail would consist of outlines of states the Freedom Riders traveled incorporating games and activities for kids to follow the Freedom Riders path. The second element will be a bus play structure to represent the Freedom Rider’s bus. The bus will allow for several kids to play at a time, while also engaging them in facts about the Freedom Riders and significant events along the route. The families in the area, as well as other visitors, will have a place to play and exercise while also learning about one of the greatest civil rights leaders; Congressman John Lewis. KaBOOM! is the national non-profit dedicated to giving all kids the childhood they deserve through great, safe places to play. The Play Everywhere Challenge and Tour are part of a broader effort led by KaBOOM! and Target focused on engaging communities to help families make active play a part of everyday life. By the end of the year, KaBOOM! and Target will bring more than 260 new playspaces to life, reaching more than a half-million kids across

Hooked on Books
With
Whiskey & Ribbons

The Mayor’s Office of Cultural Affairs and the Department of Human Resources hosted critically acclaimed author, Leesa Cross-Smith to introduce her first novel, Whiskey & Ribbons. Cross- Smith concluded her week in Atlanta by engaging with City of Atlanta employees in a brief conversation and book signing. She talked about the structure of the novel, how she has written it as “a fuge… a piece of music with three voices and three narrators. I’ve written the book for black women.” Whiskey & Ribbons is told in three intertwining, melodic voices: Evi in present day, as she’s snowed in with Dalton during a freak blizzard; Eamon before his murder, as he prepares for impending fatherhood and grapples with the danger of his profession; and Dalton, as he struggles to make sense of his life next to Eamon’s, and as he decides to track down the biological father he’s never known. If you missed Leesa Cross-Smith during her time in Atlanta, there is another opportunity to hear more about Whiskey & Ribbons and meet Leesa, at the Decatur Book Festival August 31 – September 2, 2018. Learn more about this wonderful author, her warm and bright spirit, and other works of fiction here.

Buried Truths

In 1948, three black farmers decided they’d had enough. They were going to vote in rural South Georgia, where white supremacists held power by suppressing the black vote. Pulitzer-Prize winning author, journalist and Emory University professor Hank Klibanoff explores the mysteries and injustices of history through civil rights cases that few have seen.  How far would white supremacists go — on the streets, in the courtrooms, in the legislatures — to preserve their racial dominance? And, most importantly, why? Who were we back then? The truth is restless, relevant and revealed.

Click here for more information. 



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Jazz Appreciation Month (Learn More…)

Jazz Appreciation Month (fondly known as “JAM”) was created at the Smithsonian’s National Museum of American History in 2001 to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April.

JAM is intended to stimulate and encourage people of all ages to participate in jazz – to study the music, attend concerts, listen to jazz on radio and recordings, read books about jazz, and more.


Jazz Appreciation Month 2018: Jazz and Justice

This year, JAM celebrates the relationship between jazz and justice by looking beyond the music to the dynamic ways jazz has played a transformative role in social justice, musician’s rights, and equality since its birth in America. For the first time JAM will not feature a musician but instead hightlight “one of the most influential nonmusicians in jazz history,” producer Norman Granz, and his work as an innovative producer, tireless promoter for his musicians, and uncompromising advocate for civil rights.

Ways to Celebrate Jazz, Both Inside and Outside of the Classroom

Looking for ideas and other ways to celebrate jazz during April and year-round? Find the category that best suits you or your organization and read through some of our favorite ways to celebrate and participate with jazz:

Individuals:

Teachers | Students | Parents | Band Directors | Fans | Musicians | Historians | Collectors | Philanthropists

Organizations:

Libraries | Churches | Jazz Societies | Museums & Historical Societies | Performing Arts Organizations | Foundations | Public Radio Stations

2018 JAM Poster: Jazz and Justice

The 2018 Jazz Appreciation Month Poster is the second in a special three-year series featuring the center section of LeRoy Neiman’s Big Band, a large-scale painting that hangs on the first floor of the National Museum of American History. The JAM Posters from 2017 and 2019 feature the left and right side of the painting respectively, so that when all three are hung next to each other, the iconic painting can be recreated! Big Band is a gift of the LeRoy Neiman Foundation.Part Two of the Big Band JAM Poster Series (2017-2019)

This year, JAM invites all jazz fans and appreciators to look beyond the music to the dynamic ways jazz has played a transformative role in social justice, musicians’ rights, and equality. Our featured JAM artist this year, producer Norman Granz, devoted his life to civil rights and equality – within the music industry and beyond. Through numerous record labels and his iconic touring show, Jazz at the Philharmonic, he helped propel many jazz musicians to greatness. Fittingly, all the musicians featured in this section of the JAM poster had careers that overlapped or were influenced by Norman Granz: